Skip to main content
  1. Calendar
  2. Login

Yunchan Lim, Iván Fischer and the Concertgebouw Orchestra: Liszt

  • Main Hall
  • from 29,00

Sale starts at Mon, Jun 1, 2026, 10:00 AM

Other dates

Yunchan Lim, Iván Fischer and the Concertgebouw Orchestra: Liszt

Musicians

  • Concertgebouw Orchestra
  • Iván Fischer conductor
  • Yunchan Lim piano

Works

  • Weber

    Ouverture (from Der Freischütz)

  • Liszt

    Piano Concerto No. 2 in A major

  • Schubert

    Symfonie nr. 9 in C major, D 944 'Grote'

  • This concert has an intermission

A concert with Iván Fischer is always a joy. Following Weber’s Overture to Der Freischütz, the Concertgebouw Orchestra is sharing the stage with the piano marvel Yunchan Lim for a performance of Liszt’s Second Piano Concerto. We then turn to Schubert’s magnificent Ninth Symphony, also known as the ‘Great’ – and for good reason.

Yunchan Lim plays Liszt

Yunchan Lim is currently the up-and-coming star of the piano world. If you witnessed his sensational Concertgebouw Orchestra debut in January 2026, you know it’s no hype! One year later, he’s back with the orchestra again. Franz Liszt’s spectacular Second Piano Concerto is sure to showcase the full range of the young South Korean’s pianism. But the concerto is about much more than just virtuosity. Liszt tells a romantic story in which the themes function as characters. They find themselves in all sorts of situations, clash with one another and even form alliances. And of course, the ever-capricious Liszt wouldn’t be Liszt without an unexpected twist to all the drama. Conductor Iván Fischer juxtaposes the piano concerto with two high points from the early Romantic period. Carl Maria von Weber ushered in a new era in opera with his innovative Der Freischütz. The overture weaves melodies from the opera into an independent orchestral work, which has remained successful to this day.

Schubert's Symphony No. 9

In his sublime Ninth Symphony, Schubert takes the orchestra out of its comfort zone, giving the wind section in particular unusually intense parts. The symphony would not be performed until eleven years after Schubert’s death. In fact, it was Robert Schumann who found the manuscript and recognised the work as a masterpiece. ‘All the instruments were like human voices, and immensely full of life and wit,’ he wrote. This is Schubert at the peak of his powers: pure bliss!

  • Genre

    Orchestra

  • Organizer

    Concertgebouworkest

  • Thanks to:

    ING, Booking.com and The Magnum Ice Cream Company, Global Partners Concertgebouw Orchestra

Tickets

Category 1+Category 1Category 2Category 3Category 4